
Introduction
Chapter 1
Musa's eyes fluttered shut as the scene shifted seamlessly into her dream. Suddenly, she found herself on a dimly lit dance floor, the music pulsing through her veins. A stranger’s hands cupped her waist, firm and warm, pulling her close. His breath was a whisper against her neck, and her body responded instinctively, lost in the rhythm of the song and the heat of the moment.
In her dream, the stranger’s face blurred at first, but then he became clearer—his eyes intense, filled with a quiet confidence that made her pulse quicken. She felt her body sway effortlessly, her hair tumbling over her shoulders as they moved in perfect harmony. His touch was gentle yet commanding, and she wondered if she had ever danced so freely, so without restraint, with anyone before.
The music faded into a softer, more intimate melody. They spun slowly, her back against his chest, her heart pounding in tandem with the beat. His hand rested lightly on her waist, fingers tracing lazy circles. Musa’s breath hitched, a mixture of exhilaration and a strange, aching longing she couldn’t quite understand. It was as if she had known him forever, yet he was a stranger whose presence felt like destiny.
Suddenly, he leaned in closer, his lips brushing her ear as he whispered, “You’re beautiful when you dance like this. Like you’re completely alive.” His voice was low, husky, echoing her own unspoken feelings.
Musa’s eyes fluttered open, and she woke with a start, her chest heaving slightly. She was back in her room, the early morning sunlight filtering through the curtains. For a moment, she lay there, the remnants of her dream swirling around her like fog. She could still feel the ghost of his touch, the warmth of his presence, and the intoxicating freedom she had felt in that fleeting dance.
Her hand instinctively reached out, as if trying to grasp the intangible memory. The night’s chaos, her confusion, and the vivid dream blurred together into a whirlwind of emotion. With a sigh, she sat up, her mind lingering on the stranger—on that dance—and wondered if perhaps, somewhere deep inside, she was searching for that same feeling of connection and liberation.
As she swung her legs over the side of the bed, Musa couldn’t shake the feeling that tonight’s dance was just the beginning of something much more real than a dream.
When I wake up, the other side of the bed is cold. My fingers stretch out, seeking Prim’s warmth but finding only the rough canvas cover of the mattress. She must have had bad dreams and climbed in with our mother. Of course, she did. This is the day of the reaping. I prop myself up on one elbow. There’s enough light in the bedroom to see them. My little sister, Prim, curled up on her side, cocooned in my mother’s body, their cheeks pressed together. In sleep, my mother looks younger, still worn but not so beaten-down. Prim’s face is as fresh as a raindrop, as lovely as the primrose for which she was named. My mother was very beautiful once, too. Or so they tell me. Sitting at Prim’s knees, guarding her, is the world’s ugliest cat. Mashed-in nose, half of one ear missing, eyes the color of rotting squash. Prim named him Buttercup, insisting that his muddy yellow coat matched the bright flower. I le hates me. Or at least distrusts me. Even though it was years ago, I think he still remembers how I tried to drown him in a bucket when Prim brought him home. Scrawny kitten, belly swollen with worms, crawling with fleas. The last thing I needed was another mouth to feed. But Prim begged so hard, cried even, I had to let him stay. It turned out okay. My mother got rid of the vermin and he’s a born mouser. Even catches the occasional rat. Sometimes, when I clean a kill, I feed Buttercup the entrails. He has stopped hissing at me. Entrails. No hissing.
This is the closest we will ever come to love. 4 | Page The Hunger Games – Suzanne Collins I swing my legs off the bed and slide into my hunting boots. Supple leather that has molded to my feet. I pull on trousers, a shirt, tuck my long dark braid up into a cap, and grab my forage bag. On the table, under a wooden bowl to protect it from hungry rats and cats alike, sits a perfect little goat cheese wrapped in basil leaves. Prim’s gift to me on reaping day. I put the cheese carefully in my pocket as I slip outside. Our part of District 12, nicknamed the Seam, is usually crawling with coal miners heading out to the morning shift at this hour. Men and women with hunched shoulders, swollen knuckles, many who have long since stopped trying to scrub the coal dust out of their broken nails, the lines of their sunken faces. But today the black cinder streets are empty. Shutters on the squat gray houses are closed. The reaping isn’t until two. May as well sleep in. If you can. Our house is almost at the edge of the Seam. I only have to pass a few gates to reach the scruffy field called the Meadow. Separating the Meadow from the woods, in fact enclosing all of District 12, is a high chain-link fence topped with barbed-wire loops. In theory, it’s supposed to be electrified twenty-four hours a day as a deterrent to the predators that live in the woods —packs of wild dogs, lone cougars, bears — that used to threaten our streets. But since we’re lucky to get two or three hours of electricity in the evenings, it’s usually safe to touch. Even so, I always take a moment to listen carefully for the hum that means the fence is live. Right now, it’s silent as a stone. Concealed by a clump of bushes, I flatten out on my belly and slide under a two-foot stretch that’s been loose for years. There are several other weak spots in the fence, but this one is so close to home I almost always enter the woods here. As soon as I’m in the trees, I retrieve a bow andsheath of arrows from a hollow log. Electrified or not, the fence has been successful at keeping the flesheaters out of District 12.
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