Cue the Dark
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Wren Castellane takes the stage manager job at the Regatta Playhouse to outrun a failed marriage and a stalled career, not to reopen a cold case. But the theater hasn't staged “The Drowning Room” since 1994, the night its leading lady walked into the tide and never came back. Reviving the play for the theater's centenary means working under Julian Voss, the owner's grandson, a man who canceled every production of that script for thirty years and won't say why. As opening night approaches, someone starts leaving Wren notes in the dead woman's handwriting, moving props between rehearsals, humming her exact vocal warm-up in the wings when the building's empty. Julian knows more than he's telling. So does the theater's aging costumer, who flinches every time the drowned actress's name comes up. Wren has three weeks to get the show up — and to find out whether she's staging a play or walking into someone else's unfinished ending


















































